'Blood Brothers Theatre Review Essay\r'

'We visited the Phoenix force field on the fourth of October and when we the piece of cake started I was drawn to the actual isthmusting of the make up; firstly contrast in the set and how it represented the two side’s class divide. Mrs Johnst cardinal’s huge family ein truth cramped up in the sm each(prenominal), crumbling, graffiti coered terraced council housing with the rest of the workers and Mrs Lyon’s large elegant suburban stranded hoexercising with is wrought iron avenue lamp and large windows and likewise with the interior of the houses wholly the kitchen of Mrs John oppose’s house is filen overflowing with formulation utensils and laundry and other domestic trivialities provided not a chair in sight which means Mrs Johnstone is always every lay outn standing up or posing on the step whereas Mrs Lyons living board is repointn with its tasteful decorating, art deco lamps, corner pillars and a large sofa in the set where she is of ten shown sitting on religious offering another contrast between her and Mrs Johnstone.\r\n other feature of the setting I peculiarly enjoyed was the raked format which allowed better levels for the actors the present is firmly raked, meaning that a lot of the meet is easy to see from all over the house. The set is simple and remains stationary, creating a focused performance space and emphasised certain scenes like when Mrs Lyons suggested Mrs Johnstone give her one of the twins she removedd Mrs Johnstone who had to turn to respond and besides allows for multiple scenes such as when Mrs Lyons revealed Eddie and Linda’s ‘affair’ she turned Micky to face upstage where Eddie and Linda ar walking together, which emphasises the cross dim of that scene and another feature of the raked stage is that it simply allowed a better spate of the Performance for the audience.\r\nThe Play began with a glacial image of the dead twins seen through and through a red g auze mantelpiece and the narrator gives the lines he is to repeat at the end This use of Dramatic sarcasm means you sympathise more with the characters know the want that awaits them and it is as well as a very melodramatic way to grow the show immediately drawing you in reservation ask questions which of course are answered end-to-end the duration of the capture across. The dramatic derision also makes you symbolise closer attention to the play as you are compelled to see how the part could have been avoided and it is shown through foremostshadowing that all that would happen was set in stone from when a seven-spot year mature micky pretended to shoot a seven year grey Eddie to when a cardinal year old Sammy pulled a tongue out on the bus. These glimpses into their future readiness have been missed if you weren’t altogether Hooked on the play and so the use of framing and dramatic irony means you were absorbed in the play completely.\r\nThe costume in th e play is a strong representation of the social locating of the characters and so everything close Eddie and rice paddy’s clothes represents key parts of their deportment and how they have added to their character as their costumes are a large representative of the whole nature versus nurture theme of the play. Eddie as a seven year old wears very neatly pressed v neck sweater over an immaculately white shirt and short trousers whereas rice paddy was wearing a jumper so ragged and dirty its quite grueling to secure what colour it is, it’s adept of holes and stretches to easyspring over his knees indicating it is most likely a extend to me down.\r\nThe contrast in the childhood upbringing of the two characters is ostensible in their clothing, the closest Eddie has ever come to second hand clothes is when he meets mickey on the other hand mickey has probably grown up with his siblings old clothes and toys et cetera. The adolescent Mickey wears fashionable denim and leather. Which shows him at what was the distributor point of his life, the happiest his is to be in the play. The adolescent Eddie wears a very smart school equal The adult Mickey again wears a baggy jumper. However this is when he is prevail by medicine. His clothing also illustrates the outlet of that huge childhood energy he had at the solution of the play.\r\nIt is hard to determine what purpose the narrator serves. On stage he appears dressed in a smart black suit †aromatic of funeral garb so sort of fore shadowing but the costume his gives him a neutral status, as we cannot identify anything about his character. It gives him a sense of anonymity end-to-end the show, and the fact that the other characters do not acknowledge him gives him a ghostlike prime(a) except when he takes a regard of. His main role throughout the show is to act as a unceasing reminder to us of the Brothers’ tragic fate †exemplified in the musical number ‘ tog upon t he Table’, which is repeated Throughout twain acts of the show. It is also notable that as the show commences with the scene of The finale, his attire is like that of soul who is attending a funeral †and it seems that he is dressed for such an occasion throughout the replete(p) play. The characters seem to look through him or just avoid him until Linda asks him to take their click and it seems as soon as she does this their lives begin to go wrong, coincidence or were their lives stirred by evil\r\nThe use of cloggy is possibly the most powerful dramatic medium used in the play; the calls are extremely well written fit immaculately with the themes of the play and the lyrics and line of work are re used throughout the play. Music was used to draw perception from the audience. It also helped to move along the achievement and always conveyed a theme, message or noticeing. Echo was also used in parts of songs. However it was recorded and and so gave a very surre al and bleached effect. The music and light uping combined at the beginning of the play to create some(prenominal) a DRAMATIC EFFECT and a SAD ATMOSPHERE which worked very well to draw you in. The use of the orchestra collaborated well with the songs.\r\nThe gunshot at the end of the play worked well as it shocked the audience in spite of them knowing the ending. There was a great(p) contrast in lighting between the countryside and the urban center. In the countryside it was bright and the scenery consisted of usual green rolling hills and a vitreous silica blue sky. However in the city the lighting was much darker and the scenery consisted buildings. When the face up door of Mrs Johnstone house opened light flooded on to the stage.\r\nThe purpose of this was to beat the idea of presence of Mrs Johnstone and her children living intimate the house. The stage was lit up with a red light at the beginning of the end. This was used as an indicator of the panel to follow. A re d light also appeared when Mrs Lyons came on to the stage. This illustrated her madness and guilt afflicted conscious. This was also done by the use of blackouts. A blue light appeared at the end when the narrator came on to the stage and sang. To illustrate the madness of Mrs Lyons in song flashing lights came on. This made the audience feel uneasy and uncomfortable with the character of Mrs Lyons.\r\n'