Poetry Questions Essay

In Ralph Waldo Emersons work, Nature, the vocaliser system forces the reader to analyze their core beliefs and values. The loudspeaker system unit system asks, why should we grope among the dry bones of the past, or put the lifetime generation into masquerade out of its faded wardrobe? The sun shines at once in like manner. By inquire this simple question, the speaker is essentially asking the listening why they should accept the beliefs and traditions handed d throw to them through their ancestors preferably of creating their own. This question is fur on that pointd when the speaker states, There argon recent lands, new men, new thoughts. Let us demand our own works and laws and worship. The speaker is making a call to his readers for a swop in lodge. earlier than blindly accept the laws and beliefs from long gone ancestors, the speaker is cantechamberenging his audience to be independent thinkers, and follow their own path of disco real, rather than relate to be forc e fed hundred year old traditions.In the verse, Apparently With No Surprise, the speaker is admiring a flower and unawares it dies. Through the language in the poem, it seems as though the speaker is quizzical whether beau ideal oversees life and death within genius. In this poem, character is visualized as a brutal assassin, taking the life from an innocent and blossom flower. The icing is named the murderer, but the speaker says that it has done so in accidental power while at play. The speaker proceeds to question whether there is a God that controls natures violent tendancies. In the nett few lines of the poem, the speaker answers her own questions, by noning that God is approving of natures order, which is reflected in the line that reads, The Sun proceeds unmoved to note off another Day for an Approving God. The tone of the poem suggests that the speaker things that God is just as malevolent as nature for allowing nature to take its course.3. The most important char acteristic of the landscape in Desert Places is the snow. Frost notes that the ground is almost covered smooth in snow, which gives the reader a intelligence of coldness and expansive steer in an environment that is typically warm and inviting. It seems as though Frost is comparing this ravage to himself. By stating that the desert is a blanker whiteness of dingy snow with no expression, Frost gives the reader a sense of emptiness that not only is a characteristic of the snow, but also of how empty and emotionless he feels. Frost ties together the desert and his own emotions in the last few lines of the poem. Frost ties the description of a massive and barren desert with the feelings of emptiness and lack of emotion that he feels approximately his own life. By ending the poem with the line, to scare myself with my own desert places, Frost displays his fear at his absolute lack of emotion and emptiness.Kitchenette build uses m all terms to explain how life in this urban nine feels. Gwendolyn Brooks uses the term involuntary plan to describe the situation that the vitriolic speaker is currently in. The involuntary plan describes odd real dry land deals that created small, cramped apartments for black tenants from what were previously spacious apartments in white neighborhoods. The speaker is showing the reader how the slum lords have exploited the black tenants in this urban society. The speaker makes reference to the garbage ripening in the hall, which is another management in which the exploitation of the black tenant is do apparent the simple maintenance of disposing of the trash is ignored by these shady landlords. The speaker also notes that we wonder. But not well Not for a minute, which indicates that she doesnt have the time or the energy to consider on the problem of exploitation, or any way to attempt to change it. As soon as the fifth member of the family emerges from the bathroom, her thoughts shift to much practical things, such as a warm bath.5. In Allen Ginsbergs work, Howl, he makes reference to Moloch in an attempt to criticize the society of fifties America. Moloch refers to a biblical idol to which sacrifices of children were brought. By comparing 1950s American society to this bloodthirsty idol, Ginsberg is painting a clear visualize of his view of the era that America had entered into at that time. Ginsberg paints prisons, apartments, and industries as all that is poisonous with society with the line that reads, Moloch Moloch Robot apartments invisible suburbs skeleton treasuries blind capitals satanic industries Ginsberg is making the point that with the new industrialization of society, the forgotten artists, musicians, and creative thoughts are forgotten, and even given a negative connotation. Ginsberg makes it clear that he believes that the perseverance with their factories and warehouses only create more of a diversion from the artistic military man of colors and music.This point is made tho ugh the line that reads, Moloch whose factories dream and make it in the fog Moloch whose smokestacks and antennae crown the cities As an artist himself, Ginsberg is forcing society to accept the apparent evils of the industrialization of his society.6. In Sarah Orne Jewetts work, A White fighter, the main character, Sylvia is a young girl, who has a love for animals. She is be acquaintanceed by a hunter, who is tracking a white heron that he intends to kill and add together to his collection of stuffed snickers. Sylvia perches in a giant pine tree very early in the morning, searching for the heron to make her new friend happy. Sylvia finds the maam nested on a branch not farthermost from where she sits.The dolly flies away and Sylvia runs home to tell the hunter where the bird is. Upon return to her house, however, she has a change of heart and realizes that she cannot tell the hunter where the heron has gone. though Sylvia obviously has a crush on the hunter, she allows h im to go on his way without giving him the location of the heron. Though she is only a child, Sylvia has made a very adult-like choice by electing to save the life of the white heron, and not allowing herself to be coerced into confessing the birds whereabouts to the attractive man. Even though the hunter offered Sylvia a $10.00 reward for helping him find the heron, she still chooses to keep placid about the herons location. Sylvia realizes that she values life more than any reward she could receive.In William Cullen Bryants work, To A Waterfowl, the speaker views a bird in flight and seems to feel an almost spiritual connectedness with the bird. The speaker admires the birds ability to continue on its way, sidereal day or night, even with the threat of being hunted by man. The speaker says that, All day thy wings have fannd at that far height, the cold thin atmosphere Yet stoop not, weary, to the welcome land, though the dark night is near. In this line, that speaker is almost admiring the birds dedication to continuing on its path until it reaches its destination, without stopping because it is tired.This gives the speaker a sense of pushing forward even when things seem arduous or one is weary. The speaker watches the bird and imagines it reaching its destination and decision a summer home, and rest, which is the birds reward for its dedication. The bird disappears into the sky, and the speaker feels that the bird has been cared for by God. This thought makes the speaker realize that if God can care and provide for a bird, God can sure enough guide the path of the speaker.